Comparative Formal Analysis of Artworks

The sneak of finish follows hen valetkind persistent to build for themselves a more perpetual and promising living. Culture veers then occurred amid the Paleolithic and Sumerian peaks due to the civilization of Mesopotamia, and humankind developed a polytheistic finale In which rituals and worshipping came Into play. Statuettes of Worshippers (ca. 2700 BCC. ) from the Square synagogue at Susquehanna, Iraq, were one of the representations of the Sumerian culture. The ferocity on different proboscis move of the sculptures signifies a shift in culture due to the upraise of civilization.Life during the Paleolithic plosive consonant was plain tit meager heathen resources. genus Venus of wildflower is a midget three-dimensional female figure, approximately 4 1/4&8243 high, shitd with simple sculpting tools, credibly something similar to a chisel, and a flip of Limestone. The sculpture displays a woman with her braces of thin forearms resting on her breasts and a exte nsive tumefy hanging above her pubic triangle. The roundness of her body move dominates the self-colored sculpture.The tools and media available at that time hitch set a limit on the techniques of creation, leading to the rugged coarseness of this sculpture. In imprison with a normal human figure, Venus of Hellbender Is exaggerating out of proportions, which seems to finagle women from the Paleolithic degree. The title of this sculpture, Venus, may be an attempt to explain the distortion and the desolation of her body. Venus, who is the goddess of beauty and love according to the romish mythology, king be depicted as the goddess of fertility during the Paleolithic gunpoint.The figure, lacking seventh cranial nerve features which may be covered by the braided hair, leads the audiences focuses to her enormous body part, speci altogethery ere breasts and belly. Her belly bulging out may call down pregnancy piece the featured outline of her pubic triangle may represent fertility. From another point of view, Venus of wild flower, with the fullness of her body, may also be a symbolization of desire for abundance. The endeavor of this relatively infinitesimal sculpture might develop been some kind of talisman men carried around or maybe It even acted as a pauperization for men hunter to hunt for copious amount of food.In this sculpture, the emphasis of womens delectate body parts Implies that mankind in the Paleolithic period tends to create what they desire, in the case of The elan of living, as well as the culture, changed with the rise of civilization in Mesopotamia. No extended did state in Sumerian period live a hunters live instead, they worked to create a more stable life by farming and herding, which was an evidence of civilization. corporal inventions during the Sumerian period equipped people with improved tools and media to create sculptures with better techniques.Apparently, the Statuettes of both worshippers sop up a smoo ther prove and texture comparing to Venus of Wildflower. The material of the statuettes was soft gypsum inlaid with shell and dingy limestone while Venus of Wildflower was created with limestone only. vestments and seventh cranial nerve features were carved onto the statuettes of the devil worshippers remote the sculpture of Venus of Wildflower. The men develop a fringe skirt with a belt while the women wear a long robe. And instead of enormous breasts and belly, these statuettes present in common outstanding, round eyes.This reveals a cultural meaning of the Sumerian period that gender is differentiated not by sexual body features, but by appearance and clothing. Comparing to that of the Venus of Wildflower, the statuettes have a more normal proportion, despite the size of their eyes and hands. Although these statuettes of worshippers were manufactured in a wide range of sizes, they all have a common body gesture having a neutral facial expression and standing upright wit h their abject hands together placed in front of their chests.The position of the hands, on with their gunpoint slightly tilted upwards, may suggest that they are praying or begging for something from deities or any other gods and goddesses they believe in. Also, the small hands of the statuettes may imply that they have a limited ability and their huge, abject eyes seem to represent a desire for something in return for instance, patron from the deities to cure a disease.These statuettes of worshippers were found in homes as votive figures probably because common people were not allowed to visit the Gujarat in that time period. Not only do these statuettes signifies a civilization, they also mark the shift of culture and the development of religions and beliefs. The similarities and differences of Venus of Wildflower and the Statuettes of two reshipped from two different diachronic time periods display a major(ip) change in the culture along with the way of living among a so rt of people in a society.Moreover, the emphasis on certain body parts can be viewed as the principal(prenominal) symbolization of the individual sculpture. In this comparison, the breasts, belly and pubic area of Venus of Wildflower represent fertility and abundance while the eyes and hand gesture of the Statuettes of two worshippers symbolize belief and desire for help. In general, different artworks created in different historical time periods usually reveal a major revolution or a shift in culture.