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Friday, November 2, 2012

Classic Movies(Oklahoma & Grease)

At the same time, frizzly, her former(prenominal) beau, though also young, is more wayward. One gets the impression that Curly has more experience than Laurey and has seen some of the rough side of life. For that reason, he appreciates Laurey's gentleness, as well as her youthfulness. He does non will Laurey to make the rules in their relationship, however, just as she will not allow him to take advantage of her, as they demonstrate in the song "People Will Say We're in Love." Additionally, this humbug is set in the thick of the conflict surrounded by the farmers and ranchers, as well as between the big growing cities, deal Kansas City, and the rural communities, creating a broad backdrop of the conflict between Laurey and Curly. Just as the farmers and ranchers live in the same macrocosm despite their conflicts, however, Laurey and Curly also still essentially manage from the same reality while engaging in their get private power struggle. In the end, however, Laurey and Curly ar suitable to overcome their differences, resolve their conflicts and create a reality together as adults.

Danny and Sandy, from Ridell High School, find each other a century later. Though they attend the same cultivate, they come from vastly different worlds. Yet, when they first meet it is outside of their conflicting worlds. Sandy's family is tour the United States from Australia for the summer. When Danny is at the beach, he is away from the tall school large number that dictates what is "cool." The movie op


ens with the implemental "Love is a M each Splendored Thing," and the audience observes Danny and Sandy dictum goodbye to each other after a summer of love at the beach. The next scene then jumps to the disorderly first day of school, depicting Sandy as a lost innocent in the jungle of adolescents and teachers. In the midst of this chaos, Frenchy (Didi Conn) takes pity on Sandy and welcomes her into the girl gang, the Pink Ladies, to interject her around and ask her about her summer. Meanwhile, Danny is telling the guys in his gang about the "babe" that he saw over the summer.
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What follows is the span "Summer Nights," where two completely different stories of the same case emerge from the romantic Sandy and the raunchy Danny.

Finally, what makes Oklahoma! so different from Grease, besides the time frame, setting, and some of the societal rules, is the berth of Laurey versus the role of Sandy in each of these films. Although both are nanve and innocent, Laurey is saved from making any brash mistakes by her aunt Eller and Curly, who are experienced and responsible enough to see the take chances she takes. In this manner, the relationship between Laurey and Curly matures, because Laurey matures. In a sense, however, Sandy goes from being a responsible person, to an irresponsible, risk-taking one, all for the interest of Danny. Sandy is not rescued by Danny in any sense of the word. In fact, the point could be made that Sandy, in her choice to risk who she is by changing so drastically, has stepped forrad to rescue both herself and Danny.

Kleiser, Randal, director. Grease. Paramount Studios. 1978.

There continues to be increase conflict as Danny tries to force Sandy to behave in a manner that is foreign to her, while she retains unrealistically high expectations of h
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