The Legacy of Bob Marley

During the beginning, each inside Jamaica and abroad and inside perspective of both musicians and audiences, regg' music was considered to be the voice of the oppressed, and Marley was preeminent in epitomizing the notion with the regg' artist as an individual who spoke for those who were inside the main disenfranchised (Bradley 14). Regg' is fundamentally identified as the voice of Jamaica, and inside the 1960 especially, Jamaica came to represent all the injustices perpetuated by whites against non-whites, by the First World against the Third World, by colonizers against the colonized. Regg', and Marley, became the voice of that particular moment in history, the time when men and women (and specifically people on the African diaspora) who had been for centuries oppressed became the masters of their own lives and fate.

Scholars disagree over the definite evolution of regg', but most agree that it had its roots in ska, an earlier and in musicological if not in political or cultural terms similar kind of music. Like ska, regg' like a musical type is defined by a heavy four-beat rhythm. This rhythm is produced by a couple of numerous instruments, varying from musician to musician and from song to song: These instruments include over a percussion side drums along with a scraper, that is a corrugated stick that is certainly rubbed with plain stick and a couple of string instruments, the bass guitar and also the electric guitar.

As Bradley (2001) argues, the heavy emphasis on p

Katz, D. Solid Foundation: An Oral History of Regg'. London: Bloomsbury, 2003.

"It validates for Jamaicans their belief that they could possibly be anything good, that right after 450 many years of being told you're nothing, that you are not important, you are the end on the earth, for Jamaicans the fact that Bob Marley made it large during the outside globe is really a validation." (http://news.bbc.co.uk/1/hi/entertainment/music/1323905.stm).

Although most scholars consider that regg' started out as ska, it's fundamentally numerous from ska, which was a joyful music, a music that celebrated the liberation of Jamaica, the time of independence from Britain. But as the promises of independence created in 1962 started to fade, young men and women in Jamaica became angrier and a lot more politicized. Regg', and Marley as being a national and international musician, have been produced from the crucible of disappointment that arose following independence failed to alter Jamaica into the state that so many Jamaicans believed had been promised to them. Marley was an international star, but he was always at probably the most uncomplicated level the voice with the disenfranchised of Jamaica within the post-independence world. His role in producing that voice gave to his music an authenticity that made him immensely well-liked at house and that was also translatable to other persons in quite different circumstances across the world. Marley was angry in his songs, but he was also the voice of hope, and this combination of anger and hope proved to be immensely attractive each at home and abroad (Katz 82).

Bradley, L. That is Regg' Music: The Story of Jamaica's Music. New York: Grove Press, 2001.

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